2002Elephant Woman
The confusion and maladaptation to established social codes, the rejection of one’s own image, isolation, helplessness, and exhaustion in the face of constant humiliation are only some of the shared feelings. The differences begin to appear through a series of performative acts, where certain movements—caused by imaginary ropes that alternately constrict her limbs or tie a heavy pillow to her head—dislocate her body until she collapses exhausted. These are metaphors describing the pressure of a violent external world that produces cognitive disruption when it seems impossible to resist; and only by removing the pillow from her head can she save her life.
2002Elephant Woman
Croma could be seen as something tangible with no further definition tan a possible ‘artist’s book’, or more specifically, a visual essay on human colour perception from a pictorial outlook. The painting Croma is the origin of the idea and it is reproduced in the first place on an independent piece that opens up, like the pages of a book. It also transits between the succession of visual experiences, actions and processes of experimentations gathered in another volume. A series of notes as a field notebook are gathered at the end. The idea is completed with a simple sensorial experience through two external elements: a red filter inserted between the pages extracts the experience, and a thin cotton veil protects it.













